Arts & ScienceEmeritus Professor
Canadian film and television, and in 2001 I started offering a senior-level seminar in film authorship that concentrates on the work of Nicholas Ray and Orson Welles. I've also been considering issues of film authorship in relation to my current research for a professional biography of Phillip Borsos (1953-1995), director of The Grey Fox, One Magic Christmas, Bethune: The Making of a Hero, and several other short and feature-length films. In addition to this work on Canadian film, I've devoted attention to a couple of other areas. The new edition of Television: Critical Methods and Applications, by Jeremy Butler, includes my revised chapter, "Music Television," which uses Lauryn Hill's Everything is Everything for a sample analysis.
Between joining the Department of Film Studies in 1976, and retiring from what had become the Department of Film and Media in 2013, I taught courses at every undergraduate level from first to fourth year. Whether it was our introductory course, FILM 110, or courses in film criticism or theory, I always brought a historical perspective to the subject at hand.
In 2020, I published A Companion to Federico Fellini (co-edited, Wiley Blackwell, 2022) and Felliniās Films and Commercials: From Postwar to Postmodern (single-authored, Intellect/University of Chicago Press). I also provided a Criterion Collection audio commentary for Felliniās Il Bidone and a keynote address for an international Fellini conference at the University of Toronto. In 2021, I recorded a 60-minute āMasterclassā on Fellini for the Cineteca di Rimini and Italian Foreign Affairs and delivered a keynote address on Fellini and James Hillman at a virtual conference originating from Rimini. I just finished co-editing a special issue of the Journal of Italian Cinema and Media devoted principally to noted screenwrither Tonino Guerra and translated an Italian film script for a feature-length Hollywood movie slated to go into production this fall (2022). My interests span not just Fellini and Italian cinema but film and postmodernity, ideological criticism, cultural studies, poststructuralist theory, and gender.
Frances Leeming is a media artist and animator. Her performance and film projects explore the relationship between gender, technology and consumerism. Her work has been presented and exhibited across Canada, the U.S., Britain and Poland.
Clarke Mackey has been teaching in the Department of Film and Media at Queenās University for 26 years. Before that he taught at York University and Sheridan College of Art and Design.
Clarke is an accomplished media producer. He has worked as a director, cinematographer, editor, producer or writer on over 50 film, television and new media projects. Many have won awards and critical acclaim. His first feature film, The Only Thing You Know (1971), won two Canadian Film Awards (now called Genies) including the Best Actress award. This film is considered by many critics to be an important film in the early development of independent cinema in this country.
Derek was a freelance cinematographer and a lecturer in film, video and digital media production at ¾ÅŠćÖ±²„ from 1976 to 2015, teaching the Fundamentals of Production regularly and in some years Advanced Production or Video and Multimedia. He created the Film and Media Department's website in 1995 and maintained it until 2015, and served on the University's Instructional Technology Advisory Committee, Web Editorial Board, Radio Policy Board, and Campus Planning Committee.