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Adeline Johns-Putra

Biography

My research interests lie primarily in the relationship between climate and literature, particularly in contemporary climate fiction. Trained as a Romanticist, I also have interests in womenā€™s writing of the British Romantic period and in epic poetry.
Born and raised in Malaysia, I attended university in Australia and then worked at universities in Finland, the United Kingdom, China, and Malaysia, before coming to Queenā€™s. I am also a Fellow of the Royal Society of Arts in the UK, an Honorary Professor at the University of Hong Kong, an Honorary Senior Research Fellow at the University of Liverpool, and a Visiting Professor at Xiā€™an Jiaotong Liverpool University. I was President of the Association for the Study of Literature and the Environment UK and Ireland (ASLE UKI) from 2011 to 2015, and, in 2012, was a Visiting Research Fellow in the Humanities Research Centre at the Australian National University.
I am currently writing a study of the life and writings of the poet Eleanor Anne Porden in the context of poethood and the gendering of knowledge in the British Romantic period. I am also beginning to research comparative cultural histories of climate.
I welcome enquires from graduate students interested in supervision in ecocriticism, especially questions around climate and the Anthropocene, in British Romanticism and gender, and in the epic form from the eighteenth century onwards.

 

Research Interests

Ecocriticism, Climate fiction, British Romantic womenā€™s writing, The epic

Selected Publications
  • With Xi Liu, Loredana Cesarino, Guohong Mai, and Yue Zhou. ā€œWhose World? Whose World Literature? Looking for Climate Fiction in Chinaā€. Literature and the Work of Universality, edited by Alice Duhan, Stefan Helgesson, Christina Kullburg, and Paul Tenngart, De Gruyter, 2024, pp. 315-32.
  • ā€œGender and Agency in a Keralan Foodscape: The Women of Aathiā€. Foodscapes of the Anthropocene: Literary Perspectives from Asia, edited by Hannes Bergthaller and You-Ting Chen, Peter Lang, 2024, pp. 21-41.
  • With Raksha Pandya-Wood, Azliyana Azhari, Hamimatunnisa Johar, Nurfashareena Muhamad, and Tin Tin Su. 2024. ā€œSystematic Review of Climate Change-Induced Health Impacts Facing Malaysia: Gaps in Researchā€. Environmental Research: Health, vol. 2, no. 032002, 2024.
  • With Xianmin Shen. ā€œComparative Critical Perspectives on the Anthropocene: An Introductionā€. Intertexts, vol. 27, 2023, pp. 1-10.
  • ā€œTranstextual Realism for the Climatological Collectiveā€. The Cambridge Companion to Literature and Climate, edited by Adeline Johns-Putra and Kelly Sultzbach, Cambridge UP, 2022, pp. 283-95.
  • ā€œā¶Ä˜We Have Lost Yardsticks by Which to Measureā€™: Arendtian Ethics and the Narration of Scale in the “”²Ō³Ł³ó°ł“Ē±č“Ē³¦±š²Ō±šā€. Narratives of Scale in the Anthropocene: Imagining Human Responsibility in an Age of Scalar Complexity, edited by Gabriele DĆ¼rbeck and Philip HĆ¼pkes, Routledge, 2021, pp. 127-42.
  • ā€œClimate and History in the Anthropocene: Realist Narrative and the Framing of Timeā€. Climate and Literature, edited by Adeline Johns-Putra, Cambridge UP, 2019, pp. 246-62.
  • With Axel Goodbody. ā€œThe Rise of the Climate Change Novelā€. Climate and Literature, edited by Adeline Johns-Putra. Cambridge UP, 2019, pp. 229-45.
  • ā€œThe Rest is Silence: Postmodern and Postcolonial Possibilities in Climate Change Fictionā€. Studies in the Novel, vol. 50, no.1, 2018, pp. 26-42.
  • ā€œThe Unsustainable Aesthetics of Sustainability: The Sense of an Ending in Jeanette Wintersonā€™s The Stone Godā€ā€™. Literature and Sustainability: Concept, Text and Culture, edited by Adeline Johns-Putra, John Parham, and Louise Squire, Manchester UP, 2017, pp. 177-94.
  • ā€œBorrowing the World: Climate Change Fiction and the Problem of Posterityā€, Metaphora, vol. 2, 2017, pp. 1-16.
  • ā€œā¶Ä˜My Job is to Take Care of Youā€™: Climate Change, Humanity, and Cormac McCarthyā€™s The Roadā€. MFS: Modern Fiction Studies, vol. 62, no.3, 2016, pp. 519-540.
  • ā€œClimate Change in Literature and Literary Studies: From Cli-Fi, Climate Change Theater and Ecopoetry to Ecocriticism and Climate Change Criticismā€. Wiley Interdisciplinary Reviews: Climate Change, vol. 7, 2016, pp. 266-282.
  • ā€œHistoricizing the Networks of Ecology and Culture: Eleanor Anne Porden and Nineteenth-Century Climate Changeā€. ISLE: Interdisciplinary Studies in Literature and Environment, vol. 21, 2015, pp. 27-46.
  • With Hannes Bergthaller, Rob Emmett, Agnes Kneitz, Susanna Lidstrƶm, Shane McCorristine, Dana Phillips, Isabel PĆ©rez Ramos, Kate Rigby, and Libby Robin, ā€œMapping Common Ground: Ecocriticism, Environmental History and the Environmental Humanitiesā€. Environmental Humanities, vol. 5, 2014, pp. 261-276.
  • ā€œCare and Gender in a Climate-Changed Future: Maggie Geeā€™s The Ice Peopleā€. Green Planets: Ecology and Science Fiction, edited by Gerry Canavan and Kim Stanley Robinson, Wesleyan UP, 2014, pp. 127-42. (Translated into traditional Chinese in Global Ecological Discourse ā€“ Local Expressions, edited by Hannes Bergthaller, Huei-Chu Chu, and Dana Phillips, Chung-Hsing UP, 2016, pp. 137-54.)
  • ā€œEnvironmental Care Ethics: Notes toward a New Materialist Critiqueā€. ³§²ā³¾±č±ō“Ē°ģŧ, vol. 21, nos.1-2, 2013, pp. 125-135.
  • ā€œEleanor Anne Pordenā€™s Cœur de Lion: History, Epic, and Romanceā€. Womenā€™s Writing, vol. 19, no. 3, 2012, pp. 351-71.
  • ā€œā¶Ä˜Blending Science with Literatureā€™: The Royal Institution, Eleanor Anne Porden, and The Veilsā€. Nineteenth-Century Contexts, vol. 33, no.1, 2011, pp. 35-52.
  • With Adam Trexler. ā€Climate Change in Literature and Literary Criticismā€. Wiley Interdisciplinary Reviews: Climate Change, vol. 2, no.2, 2011, pp. 185-200.
  • ā€œEcocriticism, Genre, and Climate Change: Reading the Utopian Vision of Kim Stanley Robinsonā€™s Science in the Capital Trilogyā€. English Studies, vol. 91, no.7, 2010, pp.744-760.
  • With Catherine Brace. ā€œRecovering Inspiration in the Spaces of Creative Writingā€. Transactions of the Institute of British Geographers, vol. 35, no.2, 2010, pp. 399-413.
  • Edited with Catherine Brace. Process: Landscape and Text. Rodopi, 2010.  
  • ā€œSatire and Domesticity in Late Eighteenth-Century Womenā€™s Poetry: Minding the Gapā€. Journal for Eighteenth-Century Studies, vol. 33, no.1, 2010, pp.67-87.
  • With Catherine Brace. ā€œThe Importance of Processā€. Process: Landscape and Text, edited by CatherineBrace and Adeline Johns-Putra, Rodopi, 2010, pp. 29-44.
  • ā€œAnna Sewardā€™s Translations of Horace: Poetic Dress, Poetic Matter and the Lavish Paraphraseā€. Translators, Interpreters, Mediators: Women Writers 1700-1900, edited by Gillian E. Dow, Peter Lang, 2007, pp. 111-28.
  • ā€œHome and the Harem: Early Nineteenth-Century Orientalist Representations of Women by Womenā€. Nineteenth-Century Gender Studies, vol. 2 no.3, 2006.
  • ā€œGendering Telemachus: Anna Seward and the Epic Rewriting of FĆ©nelonā€™s °ÕĆ©±ōĆ©³¾²¹±ē³Ü±šā€. Approaches to the Anglo and American Female Epic, 1621-1982, edited by Bernard Schweizer, Ashgate, 2006, pp. 85-97
  • Heroes and Housewives: Womenā€™s Epic Poetry and Domestic Ideology in the Romantic Age (1770-1835). Peter Lang, 2001.
  • ā€œSatirising the Courtly Woman and Defending the Domestic Woman: Mock Epics and Women Poets in the Romantic Ageā€. Romanticism on the Net, vol. 15, 1999.
  • ā€œChrist as Womanā€™s Seed: Romantic Women Poets Rewriting the Bibleā€. Prism(s): Essays in Romanticism, vol.6, 1999, pp. 59-81.

Department of English Literature and Creative Writing, Queen's University

Watson Hall
49 Bader Lane
Kingston ON K7L 3N6
Canada

Telephone (613) 533-2153

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¾ÅŠćÖ±²„ is situated on traditional Haudenosaunee and Anishinaabe territory.