Big Picture

Just grand

The keys of a Steinway piano looking head-on.

Photograph by Jana Chytilova

When Henry Steinway moved to New York City in 1850, he left his German piano-making business to one of his sons and founded a new company in America. But pianos made at Steinway & Sonsā€™ New York factory developed a different sound than their Hamburg-built cousins. And when the Isabel Bader Centre for the Performing Arts went looking for a new piano, the Hamburg sound drew them in.

The Isabel chose a Steinway Model D concert grand, a purchase made possible by a generous donation from Joan Tobin and the Ballytobin Foundation. To make the selection, a team of three Queenā€™s University pianists travelled to Hamburg. They were given a choice of six pianos, and each of them played a repertoire of pieces that ranged from baroque and classical to a contemporary composition by Queenā€™s University Adjunct Professor Michel Szczesniak.

ā€œEach style tested different capabilities. The piano needed to capture the clarity of classical sound, the warmth of romance, and the percussive approach of the 20th-century piece,ā€ says Adrienne Shannon, the continuing adjunct professor at the Dan School of Drama and Music who travelled to Hamburg to test the pianos with colleagues Joy Innis and Ireneus Zuk.

  • An aerial view of a Steinway piano.

    Photograph by Jana Chytilova

  • A side view of a Steinway piano on a stage.

    Photography by Jana Chytilova

  • A look inside a Steinway piano.

    Photograph by Jana Chytilova

  • A look inside a Steinway piano.

    Photograph by Jana Chytilova

  • A look inside a Steinway piano.

    Photograph by Jana Chytilova

  • A look inside a Steinway piano.

    Photograph by Jana Chytilova

Mrs. Tobin tuned in to the selection via Facetime, and worked with the team to choose the Isabelā€™s new Model D.

ā€œThey were all fantastic, and it came down to our knowledge of the Centre. Itā€™s not a huge theatre, and we wanted a piano that would be appropriate for the space. Some pianos can cut through a 3,000-seat auditorium. Others are warmer and rounder. We went for the warmer sound,ā€ says Dr. Innis.

The new instrument represents the next step in the Isabelā€™s growth.

ā€œThis is really about Isabel Baderā€™s vision to think on the largest scale possible. Everything has been inspired by that vision. This piano is being used by students and faculty, and by local and touring artists,ā€ says Tricia Baldwin, former director of the Isabel.

ā€œAnd some pianists are polite, and some are blunt, but we get the same feedback from everyone ā€“ this instrument is really special.ā€

Dr. Gordon E. Smith, Interim Director of the Isabel, is equally enthusiastic.

ā€œAs a pianist and interim director of this wonderful performing-arts centre, I am delighted that we have this superb instrument on the stage of our concert hall. We are all deeply grateful to Joan Tobin for her generosity in making this possible.ā€

Prefer the offline issue?

The ¾ÅŠćÖ±²„ Alumni Review is the quarterly magazine for ¾ÅŠćÖ±²„ alumni. Compelling stories and photos make it a must-read for all who love ¾ÅŠćÖ±²„.

Download Fall 2022